'Ray Bradbury’s Fahrenheit 451 – A Book Analysis Essay\r'

'In his entertain, Fahrenheit(postnominal)(postnominal) 451, creator re Bradbury highlights the bureau and importance of obtaining k at one timeledge through books neertheless decries the cushion that technological innovations, speci everyy the television, pose in stifling keen and creative development.\r\nAs a science fiction book that was first printed in 1953, more selecters †particularly literary critics and students †correlate the book to estate illegalise and subsequent cultural decompose presaging the eras following the book’s publication.\r\nIndeed, it undersurface be easily gleaned from the main voice’s occupation as a book- vehement fireman that the book burning per se may be emblematic of a common situation that about societies subside on found themselves grappling with †specific stages in nations’ histories whereby basic inalienable rights and freedoms were suppressed.\r\nLiterary censorship, in particular, has b een a recurring theme in many neat works of literature. In real life, censorship is nearthing that most governments get overpower resorted to for varied reasons other than as a means of quelling what they categorize as rebellion or insurrection, and in close to e rattling instance, books that echo the sentiments of many great nationalists or radical-thinking individuals have born(p)e the brunt of censorship laws.\r\n most analysts point out that in scape Bradbury’s book, Fahrenheit 451, â€Å"The book burning is non a government mandated censorship… Instead, it is a society-built degradation of the written word. party has rejected the black and white messages funk in leather and paper” (Przybyszewski). The author himself does non dispute this observation.\r\nWhether it is art imitating verity or the other way around, Fahrenheit 451 is a successful attempt in making readers †including those who got to read the book generations after(prenominal) its initial publication †ponder on key social and governmental issues cargon censorship, even if the author himself had clarified that his romance â€Å"is actually about how television destroys have-to doe with in reading literature” (Oleck, par. 1).\r\nA make outr of the written word, dick Bradbury hails from down(p) beginnings in Illinois, which set the stage for his scholarly yet realistic insights, searing views and cunning boilersuit approach to his grammatical case matter.\r\nHe was born on August 22, 1920 in Waukegan, Illinois; study in a Los Angeles High educate in 1938, and furthered his education by working nights in the library and pounding onward at typewriter keys and selling newspapers in Los Angeles by day (â€Å" radiation Bradbury Biography”). It burn down be noted that Fahrenheit 451, in many ways, pays homage to Bradbury’s Waukegan hometown. It is in this locality that he developed an spacious and lasting appetite for bo oks and a love for libraries, something which is continually described in his book. As Bradbury himself narrates:\r\nFrom the time I was 9 up through my teens I spent at least two nights a calendar week in the town library in Waukegan, Ill. In the summer months, there was hardly a day I could not be found lurking about the stacks, perceive the books wish well imported spices, drunk on them even before I read them (Moran).\r\nBased on the author’s personal narrative, star clearly sees how he obtained the characteristic ease in describing to readers a well-stacked library, and how he skillfully let some of his characters express forceful sentiments about books not just as a storage of knowledge and cultural heritage of nations, just now as instruments to guide man in vitality and making decisions about the early.\r\n diversify Bradbury’s Waukegan roots likewise fortify him with first-hand knowledge and distinct way of indite about a speci fic subject matter as firefighters. As another(prenominal) writer gathering from Ray Bradbury’s musings in writing Fahrenheit 451:\r\nBradbury’s wary respect for fire asshole be traced back to his Waukegan youth, where he would pass the firehouse on his way to and from the Carnegie depository library and end up writing down his translations (Moran).\r\nRay Bradbury’s remarkable style is indeed something which has not escaped discriminating book readers and analysts. â€Å"While a lesser writer would have to content himself with slaughter the reader over the head with description and exposition, Bradbury is able to make his nightmare earthly concern real with economy and subtlety. The horror never grabs you by the throat as in a Stephen King novel; alternatively it creeps into your soul almost unheeded” (Wright).\r\nContent-wise, what American writer Ray Bradbury seek to impress on his readers is the accompaniment that human race st ands to be strangled by the very forces †or trappings of modern living †that had originally been conceived to make life better. Bradbury makes a very good point in singling out television as the while of equipment that most mickle have been as well relying on, and it comes at a very considerable price: a stifled intellectual development.\r\nIndeed, of all the new modern amenities or gadgetry the world has ever seen, one medium of communications which remains almighty or influential to minds and attitudes of spate of all ages is the television. It is evident that Bradbury possessed remarkable foretaste in ascertaining early on that people are bound to be enslaved. oneness of many insightful reviews about Ray Bradbury and his book states:\r\nBradbury’s novel †or novella, really †is an inspired criticism of what we now call the â€Å"in make believeation society,” and the yawning chasm it is creating in our collective soul. In it h e managed to indicate with frightening accuracy such present-day(prenominal) social pathologies as the dumbing down of hot entertainment and education, our growing addiction to unload sensory stimulation, the rise of random military force among youth, the increasing anomie and alienation among everyone (Wright).\r\nIndeed, it takes a meticulous eye attuned to his surroundings for a writer to realistically depict up-to-date real-life situations as well as future scenarios.\r\nOne important point that Ray Bradbury stressed in Fahrenheit 451 is that most of the time, people’s enslavement, whether by social forces or modern technological advances, do occur from their own volition or free will. â€Å"It’s ordinary people who writhe away from reading and the habits of conceit and reflection it encourages. When the government starts actively censoring information, most people don’t even bat an eye” (Bradbury 183).\r\nIt is true, of course , that in the present society, there are many cases of jaded individuals †especially ordinary citizens who pull off little or no power to go against the powers-that-be †who initially protest but end up allowing circumstances like government restraints on media/information to dominate or take place. It is, however, an inescapable fact that many freedoms, like free linguistic communication and expression of ideas through books, are not absolute. This is something that advocates of censorship keep harping on.\r\nIntrospection will show that in many ways, people, during these more and more complex times and informational bombardment, do defer or let government oblige controls as the latter may apply morally and socially and politically fit. In doing so, it becomes a clear case of the obstructor turning into an ally. In societies which do a good job of balancing interests and rights, this may be permissible. There are, however, exceptions to the rule.\r\nThere are peop le may rant and do nothing, but there are some individuals who even band together to form a coalition or cause-oriented collection/association to bat for what they perceive as just. To their minds, the words of 18th century political theorist and philosopher Edmund Burke, of letting evil dominate if good men do nothing, may be ringing loud and clear.\r\n turn to the other main issue tackled by the book, which is the tendency of people to allow themselves to be enslaved by new technology and turn away from the many virtues of reading books, this is a universal problem pervading modern societies today.\r\nRay Bradbury may have crafted decades ago a concise book about a dystopian society, but its message reverberates up to the present age, when gadget-toting new generations turn to books still when school requires them to, or when a bestselling book-turned-movie or escapist adult novels catch their fancy. In effect, the firemen’s task of burning books in the novel is actually a fiction for the way a society’s citizens allow themselves, or their knowledge and future, to be stunted. â€Å"The firemen are rarely necessary. The public itself halt reading of its own accord” (Bradbury 87).\r\n'